Collection: Doreh Schütz

Doreh Schütz (born 1966 in Berlin) dedicates her photographic work to the aesthetics of the inconspicuous. Her compositions are an invitation to slow down; they function as seismographs for those details often overlooked in the everyday noise. Schütz employs a clear, graphic visual language rooted in the Bauhaus tradition: strict grids, cool lighting, and precise lines structure her works. However, this formal discipline is not an end in itself, but rather serves as an empathetic tool to extract objects and spaces from their functional context and reveal their inherent poetry.

Doreh Schütz's artistic process is characterized by a deep intuition for the moment of balance. Her photographs eschew the spectacular, instead relying on minimal means and a painterly quality created through the deliberate interplay of light and shadow. The artist largely avoids post-processing; the authenticity of the captured moment is preserved. This results in visual constellations that invite the viewer to a quiet questioning of reality and redefine the medium of photography as an instrument for heightened perception.

The German-Iranian artist grew up in divided Berlin and, after periods in Hamburg and Munich, developed her current artistic style through self-taught work . Her work is regularly presented in solo and group exhibitions. Doreh Schütz lives and works in Munich, where she continues her exploration of the graphic quality of the world.

Doreh Schütz

Q&A with the artists:

The exhibition ARTIFICIAL? Traces of the Present brings together works that question our perception. Reality appears not as a given, but as something that is constantly being appropriated. ARTIFICIAL? questions whether what we see and experience is not always already made, constructed, and mediated.

1) How does your work engage with reality and its construction, and what “traces of the present” become visible in it?

The leitmotif "Tracing the Present" is characteristic of my work. I photograph what I see in its existing reality. It is often a detail, a fragment, that I perceive from a larger context and that attracts my attention. In this reduction of mine, the detail acquires a new, minimalist, clear, and graphic weight. It opens up a new meaning, a new perspective on the photographed subject, which remains almost unprocessed. Thus, a new way of seeing the essential emerges: It is the beauty of the moment.

 

 

2) How does your work develop from the initial idea to completion, and what role does your presentation style play in this process?

“I discover something new in the objects – a different form, a different interplay of colors, which for me captures the balance of the moment.” This is how a single work is created. The next step is the challenge of combining this one photograph with another: finding a pair, a diptych, a series that, in their interaction, tell a story or complement each other.